
Robert Todd Carroll

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Kirlian photography
In 1939,
Semyon Kirlian discovered by accident that if an object on a photographic
plate is subjected to a high-voltage electric field, an image is created on the plate. The
image looks like a colored halo or coronal discharge. This image is said to be a physical
manifestation of the spiritual aura or "life force" which allegedly surrounds
each living thing.
Allegedly, this special method of "photographing" objects is a gateway to the
paranormal world of auras. Actually, what is recorded is due to
quite natural phenomena such as pressure, electrical grounding, humidity and temperature.
Changes in moisture (which may reflect changes in emotions), barometric pressure, and
voltage, among other things, will produce different 'auras'.
Living things...are moist. When the
electricity enters the living object, it produces an area of gas ionization around the
photographed object, assuming moisture is present on the object. This moisture is
transferred from the subject to the emulsion surface of the photographic film and causes
an alternation of the electric charge pattern on the film. If a photograph is taken in a
vacuum, where no ionized gas is present, no Kirlian image appears. If the Kirlian image
were due to some paranormal fundamental living energy field, it should not disappear in a
simple vacuum (Hines 2003).
There have even been claims of Kirlian photography being able to capture "phantom
limbs," e.g., when a leaf is placed on the plate and then torn in half and
"photographed," the whole leaf shows up in the picture. This is not due to
paranormal forces, however, but to fraud or to residues left from the
initial impression of the whole leaf.
Parapsychologist
Thelma Moss popularized Kirlian photography as a diagnostic medical tool with her books The
Body Electric (1979) and The Probability of the Impossible (1983). She
was convinced that the Kirlian process was an open door to the "bioenergy" of
the astral body. Moss came to UCLA in mid-life and earned a
doctorate in psychology. She experimented with and praised the effects of LSD and was in
and out of therapy for a variety of psychological problems, but managed to overcome her
personal travails and become a professor at UCLAs Neuropsychiatric Institute. Her
studies focused on paranormal topics, such as auras, levitation and ghosts. One of her
favorite subjects at UCLA was Uri Geller, whom she
"photographed" several times. She even made several trips to the Soviet Union to
consult with her paranormal colleagues. Moss died in 1997 at the age of 78.
Moss paved the way for other parapsychologists to speculate that Kirlian
"photography" was parapsychology's Rosetta stone. They would now be able to
understand such things as acupuncture, chi,
orgone energy, telepathy, etc., as
well as diagnose and cure whatever ails us. For example,
Bio-Electrography claims to be
...a method of investigation for biological objects, based on the interpretation of
the corona-discharge image obtained during exposure to a high-frequency, high-voltage
electromagnetic field which is recorded either on photopaper or by modern video recording
equipment. Its main use is as a fast, inexpensive and relatively non-invasive means for
the diagnostic evaluation of physiological and psychological states. [from
the now-defunct http://www.psy.aau.dk/bioelec/]
The reliability of diagnosing illnesses by photographing auras is not very high,
however. Bio-Electrography should not be confused with
Esogetic Colorpuncture,
Peter Mandel's therapy, which
unites acupuncture and Kirlian photography
"to detect energy imbalances."
None of these Kirlian methods of diagnosis should be confused with other types of
medical photography, e.g., roentgen-ray
computed tomography, magnetic resonance imaging, single photon/positron emission computed
tomography and other useful types of
medical imaging, none of which have anything to do with auras.
further reading
reader comments
Abell, George O. and Barry Singer (eds.) Science And
Paranormal (New York:
Scribner, 1981).
Hines, Terence. Pseudoscience and the Paranormal,
2nd ed. (Buffalo, NY: Prometheus Books,
2003).
Randi, James. Flim-Flam! (Buffalo, New York:
Prometheus Books,1982),
Watkins, Arleen J. and William S. Bickel. "A Study of the Kirlean Effect," in
The Hundredth Monkey and Other Paradigms of the Paranormal,ed. Kendrick Frazier
(Buffalo, N.Y.: Prometheus Books, 1991), pp. 209-221. |
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